This is the portion Variety's own feed carries — the excerpt the outlet itself publishes for reading outside its site.
The early moments of “Hinotama: Ball of Fire,” the debut feature from young Japanese director Yaza Takenoshin (who graduated from Harvard this past summer), almost move like clockwork, finding a pleasing rhythm in everyday mundanities — matching the repetition of numbers being called out for test papers to a mother having groceries counted at the […]
Read the rest at Variety